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Chinua Achebe, the Father of African Literature

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Chinua Achebe, born Albert Chinụalụmọgụ Achebe; 16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, professor, and critic. His first novel Things Fall Apart (1958), often considered his best, is the most widely read book in modern African literature.

 

Raised by his parents in the Igbo town of Ogidi in South-Eastern Nigeria, Achebe excelled at school and won a scholarship to study medicine, but changed his studies to English literature at University College (now the University of Ibadan). He became fascinated with world religions and traditional African cultures, and began writing stories as a university student. After graduation, he worked for the Nigerian Broadcasting Service (NBS) and soon moved to the metropolis of Lagos. He gained worldwide attention for his novel, Things Fall Apart in the late 1950s; his later novels include No Longer at Ease (1960), Arrow of God (1964), A Man of the People (1966), and Anthills of the Savannah (1987). Achebe wrote his novels in English and defended the use of English, a “language of colonisers”, in African literature. In 1975, his lecture An Image of Africa: Racism in Conrad’s “Heart of Darkness” featured a famous criticism of Joseph Conrad as “a thoroughgoing racist”; it was later published in The Massachusetts Review amid some controversy.

 

When the region of Biafra broke away from Nigeria in 1967, Achebe became a supporter of Biafran independence and acted as ambassador for the people of the new nation. The war ravaged the populace, and as starvation and violence took its toll, he appealed to the people of Europe and the Americas for aid. When the Nigerian government retook the region in 1970, he involved himself in political parties but soon resigned due to frustration over the corruption and elitism he witnessed. He lived in the United States for several years in the 1970s, and returned to the U.S. in 1990, after a car accident left him partially disabled.

 

A titled Igbo chieftain himself, Achebe’s novels focus on the traditions of Igbo society, the effect of Christian influences, and the clash of Western and traditional African values during and after the colonial era. His style relies heavily on the Igbo oral tradition, and combines straightforward narration with representations of folk stories, proverbs, and oratory. He also published a number of short stories, children’s books, and essay collections.

 

Upon his return to the United States in 1990, he began an eighteen-year tenure at Bard College as the Charles P. Stevenson Professor of Languages and Literature. From 2009 until his death, he served as David and Marianna Fisher University Professor and Professor of Africana Studies at Brown University.

 

Biography

Chinua Achebe was born on the 16 of November, 1930. Achebe’s parents, Isaiah Okafo Achebe and Janet Anaenechi Iloegbunam, were converts to the Protestant Church Mission Society (CMS) in Nigeria. The elder Achebe stopped practicing the religion of his ancestors, but he respected its traditions. Achebe’s unabbreviated name, Chinualumogu (“May God fight on my behalf”), was a prayer for divine protection and stability. His first novel was called “Things Fall Apart” (1958), and his last was “Anthills of Savannah”(1987). The Achebe family had five other surviving children, named in a similar fusion of traditional words relating to their new religion: Frank Okwuofu, John Chukwuemeka Ifeanyichukwu, Zinobia Uzoma, Augustine Ndubisi, and Grace Nwanneka.

Early life

Achebe was born Albert Chinualumogu Achebe in the Igbo village of Ogidi on 16 November 1930. Isaiah Okafo Achebe and Janet Anaenechi Iloegbunam Achebe stood at a crossroads of traditional culture and Christian influence; this made a significant impact on the children, especially Chinualumogu. After the youngest daughter was born, the family moved to Isaiah Achebe’s ancestral town of Ogidi, in what is now the state of Anambra.

 

 

Map of Nigeria’s linguistic groups. Achebe’s homeland, the Igbo region (archaically spelt Ibo), lies in the central south.

Storytelling was a mainstay of the Igbo tradition and an integral part of the community. Achebe’s mother and sister Zinobia Uzoma told him many stories as a child, which he repeatedly requested. His education was furthered by the collages his father hung on the walls of their home, as well as almanacs and numerous books – including a prose adaptation of A Midsummer Night’s Dream (c. 1590) and an Igbo version of The Pilgrim’s Progress (1678).  Chinua also eagerly anticipated traditional village events, like the frequent masquerade ceremonies, which he recreated later in his novels and stories.

 

Education

In 1936, Achebe entered St Philips’ Central School. Despite his protests, he spent a week in the religious class for young children, but was quickly moved to a higher class when the school’s chaplain took note of his intelligence. One teacher described him as the student with the best handwriting in class, and the best reading skills. He also attended Sunday school every week and the special evangelical services held monthly, often carrying his father’s bag. A controversy erupted at one such session, when apostates from the new church challenged the catechist about the tenets of Christianity. Achebe later included a scene from this incident in Things Fall Apart.

 

At the age of 12, Achebe moved away from his family to the village of Nekede, four kilometres from Owerri. He enrolled as a student at the Central School, where his older brother John taught. In Nekede, Achebe gained an appreciation for Mbari, a traditional art form that seeks to invoke the gods’ protection through symbolic sacrifices in the form of sculpture and collage. (He would later suggest the name for the Mbari Writers and Artists Club that was founded in Ibadan by Ulli Beier and others in 1961.)  When the time came to change to secondary school, in 1944, Achebe sat entrance examinations for and was accepted at both the prestigious Dennis Memorial Grammar School in Onitsha and the even more prestigious Government College in Umuahia.

 

Modeled on the British public school, and funded by the colonial administration, Government College was established in 1929 to educate Nigeria’s future elite. It had rigorous academic standards and was vigorously elitist, accepting boys purely on the basis of ability. The language of the school was English, not only to develop proficiency but also to provide a common tongue for pupils from different Nigerian language groups. Achebe described this later as being ordered to “put away their different mother tongues and communicate in the language of their colonisers”. The rule was strictly enforced and Achebe recalls that his first punishment was for asking another boy to pass the soap in Igbo.

 

Once there, Achebe was double-promoted in his first year, completing the first two years’ studies in one, and spending only four years in secondary school, instead of the standard five. Achebe was unsuited to the school’s sports regimen and belonged instead to a group of six exceedingly studious pupils. So intense were their study habits that the headmaster banned the reading of textbooks from five to six o’clock in the afternoon (though other activities and other books were allowed).

 

Achebe started to explore the school’s “wonderful library”. There he discovered Booker T. Washington’s Up From Slavery (1901), the autobiography of an American former slave; Achebe “found it sad, but it showed him another dimension of reality”. He also read classic novels, such as Gulliver’s Travels (1726), David Copperfield (1850), and Treasure Island (1883), together with tales of colonial derring-do such as H. Rider Haggard’s Allan Quatermain (1887) and John Buchan’s Prester John (1910). Achebe later recalled that, as a reader, he “took sides with the white characters against the savages” and even developed a dislike for Africans. “The white man was good and reasonable and intelligent and courageous. The savages arrayed against him were sinister and stupid or, at the most, cunning. I hated their guts.”

 

Teaching and producing

While he meditated on his possible career paths, Achebe was visited by a friend from the university, who convinced him to apply for an English teaching position at the Merchants of Light school at Oba. It was a ramshackle institution with a crumbling infrastructure and a meagre library; the school was built on what the residents called “bad bush” – a section of land thought to be tainted by unfriendly spirits. Later, in Things Fall Apart, Achebe describes a similar area called the “evil forest”, where the Christian missionaries are given a place to build their church.

 

As a teacher he urged his students to read extensively and be original in their work. The students did not have access to the newspapers he had read as a student, so Achebe made his own available in the classroom. He taught in Oba for four months, but when an opportunity arose in 1954 to work for the Nigerian Broadcasting Service (NBS), he left the school and moved to Lagos.

 

 

Lagos in 2007

The NBS, a radio network started in 1933 by the colonial government, assigned Achebe to the Talks Department, preparing scripts for oral delivery. This helped him master the subtle nuances between written and spoken language, a skill that helped him later to write realistic dialogue.

 

The city of Lagos also made a significant impression on him. A huge conurbation, the city teemed with recent migrants from the rural villages. Achebe revelled in the social and political activity around him and later drew upon his experiences when describing the city in his 1960 novel No Longer at Ease.

 

While in Lagos, Achebe started work on a novel. This was challenging, since very little African fiction had been written in English, although Amos Tutuola’s Palm-Wine Drinkard (1952) and Cyprian Ekwensi’s People of the City (1954) were notable exceptions. While appreciating Ekwensi’s work, Achebe worked hard to develop his own style, even as he pioneered the creation of the Nigerian novel itself. A visit to Nigeria by Queen Elizabeth II in 1956 brought issues of colonialism and politics to the surface, and was a significant moment for Achebe.

 

Also in 1956 he was selected at the Staff School run by the British Broadcasting Corporation (BBC). His first trip outside Nigeria was an opportunity to advance his technical production skills, and to solicit feedback on his novel (which was later split into two books). In London, he met a novelist named Gilbert Phelps, to whom he offered the manuscript. Phelps responded with great enthusiasm, asking Achebe if he could show it to his editor and publishers. Achebe declined, insisting that it needed more work.

 

Things Fall Apart

Back in Nigeria, Achebe set to work revising and editing his novel (now titled Things Fall Apart, after a line in the poem “The Second Coming” by W. B. Yeats). He cut away the second and third sections of the book, leaving only the story of a yam farmer named Okonkwo who lives during the colonization of Nigeria. He added sections, improved various chapters, and restructured the prose. By 1957, he had sculpted it to his liking, and took advantage of an advertisement offering a typing service. He sent his only copy of his handwritten manuscript (along with the ₤22 fee) to the London company. After he waited several months without receiving any communication from the typing service, Achebe began to worry. His boss at the NBS, Angela Beattie, was going to London for her annual leave; he asked her to visit the company. She did, and angrily demanded to know why the manuscript was lying ignored in the corner of the office. The company quickly sent a typed copy to Achebe. Beattie’s intervention was crucial for his ability to continue as a writer. Had the novel been lost, he later said, “I would have been so discouraged that I would probably have given up altogether.”

 

In 1958, Achebe sent his novel to the agent recommended by Gilbert Phelps in London. It was sent to several publishing houses; some rejected it immediately, claiming that fiction from African writers had no market potential. Finally it reached the office of Heinemann, where executives hesitated until an educational adviser, Donald MacRae, just back in England after a trip through West Africa, read the book and forced the company’s hand with his succinct report: “This is the best novel I have read since the war”.

 

Heinemann published 2,000 hardcover copies of Things Fall Apart on 17 June 1958. According to Alan Hill, employed by the publisher at the time, the company did not “touch a word of it” in preparation for release. The book was received well by the British press, and received positive reviews from critic Walter Allen and novelist Angus Wilson. Three days after publication, The Times Literary Supplement wrote that the book “genuinely succeeds in presenting tribal life from the inside”. The Observer called it “an excellent novel”, and the literary magazine Time and Tide said that “Mr. Achebe’s style is a model for aspirants”.

 

Initial reception in Nigeria was mixed. When Hill tried to promote the book in West Africa, he was met with scepticism and ridicule. The faculty at the University of Ibadan was amused at the thought of a worthwhile novel being written by an alumnus. Others were more supportive; one review in the magazine Black Orpheus said: “The book as a whole creates for the reader such a vivid picture of Ibo life that the plot and characters are little more than symbols representing a way of life lost irrevocably within living memory.”

 

In the book Okonkwo struggles with the legacy of his father – a shiftless debtor fond of playing the flute – as well as the complications and contradictions that arise when white missionaries arrive in his village of Umuofia. Exploring the terrain of cultural conflict, particularly the encounter between Igbo tradition and Christian doctrine, Achebe returns to the themes of his earlier stories, which grew from his own background.

 

Things Fall Apart went on to become one of the most important books in African literature. Selling over 20 million copies around the world, it was translated into 57 languages, making Achebe the most translated African writer of all time.

 

The book, in recognition of its universality, appears in the Bokklubben World Library collection “proposed by one hundred writers from fifty-four different countries, compiled and organized in 2002 by the Norwegian Book Club. This list endeavors to reflect world literature, with books from all countries, cultures, and time periods.”

 

Nigerian Nobel laureate Wole Soyinka has described the work as “the first novel in English which spoke from the interior of the African character, rather than portraying the African as an exotic, as the white man would see him.”

 

Marriage and family

In the same year Things Fall Apart was published, Achebe was promoted at the NBS and put in charge of the network’s eastern region coverage. He moved to Enugu and began to work on his administrative duties. There he met a woman named Christiana Chinwe (Christie) Okoli, who had grown up in the area and joined the NBS staff when he arrived. They first conversed when she brought to his attention a pay discrepancy; a friend of hers found that, although they had been hired simultaneously, Christie had been rated lower and offered a lower wage. Sent to the hospital for an appendectomy soon after, she was pleasantly surprised when Achebe visited her with gifts and magazines.

 

Achebe and Okoli grew closer in the following years, and on 10 September 1961 they were married in the Chapel of Resurrection on the campus of the University of Ibadan. Christie Achebe has described their marriage as one of trust and mutual understanding; some tension arose early in their union, due to conflicts about attention and communication. However, as their relationship matured, husband and wife made efforts to adapt to one another.

 

Their first child, a daughter named Chinelo, was born on 11 July 1962. They had a son, Ikechukwu, on 3 December 1964, and another boy named Chidi, on 24 May 1967. When the children began attending school in Lagos, their parents became worried about the world view – especially with regard to race – expressed at the school, especially through the mostly white teachers and books that presented a prejudiced view of African life. In 1966, Achebe published his first children’s book, Chike and the River, to address some of these concerns. After the Biafran War, the Achebes had another daughter on 7 March 1970, named Nwando. When asked about his family Achebe stated: “There are few things more important than my family.” They have six grandchildren: Chochi, Chino, Chidera, C.J. (Chinua Jr.), Nnamdi and Zeal.

 

 

 

 

Anthills and paralysis

In 1987 Achebe released his fifth novel, Anthills of the Savannah, about a military coup in the fictional West African nation of Kangan. A finalist for the Booker Prize, the novel was hailed in the Financial Times: “in a powerful fusion of myth, legend and modern styles, Achebe has written a book which is wise, exciting and essential, a powerful antidote to the cynical commentators from ‘overseas’ who see nothing ever new out of Africa.” An opinion piece in the magazine West Africa said the book deserved to win the Booker Prize, and that Achebe was “a writer who has long deserved the recognition that has already been accorded him by his sales figures.” The prize went instead to Penelope Lively’s novel Moon Tiger.

 

 

Stone Row at the centre of the Bard College campus

On 22 March 1990, Achebe was riding in a car to Lagos when an axle collapsed and the car flipped. His son Ikechukwu and the driver suffered minor injuries, but the weight of the vehicle fell on Achebe and his spine was severely damaged. He was flown to the Paddocks Hospital in Buckinghamshire, England, and treated for his injuries. In July doctors announced that although he was recuperating well, he was paralyzed from the waist down and would require the use of a wheelchair for the rest of his life.

 

Soon afterwards, Achebe became the Charles P. Stevenson Professor of Languages and Literature at Bard College in Annandale-on-Hudson, New York; he held the position for more than fifteen years. In 1999, Achebe was awarded the St. Louis Literary Award from the Saint Louis University Library Associates. In the autumn of 2009 he joined the Brown University faculty as the David and Marianna Fisher University Professor of Africana Studies.

 

Later in his life as a publisher

In October 2005, the London Financial Times reported that Achebe was planning to write a novella for the Canongate Myth Series, a series of short novels in which ancient myths from myriad cultures are reimagined and rewritten by contemporary authors. Achebe’s novella has not yet been scheduled for publication.

 

In June 2007, Achebe was awarded the Man Booker International Prize. The judging panel included US critic Elaine Showalter, who said he “illuminated the path for writers around the world seeking new words and forms for new realities and societies”; and South African writer Nadine Gordimer, who said Achebe has achieved “what one of his characters brilliantly defines as the writer’s purpose: ‘a new-found utterance’ for the capture of life’s complexity”. In 2010, Achebe was awarded The Dorothy and Lillian Gish Prize for $300,000, one of the richest prizes for the arts. Also in 2010, a collection of Achebes autobiographical essays were published under the title The Education of A British-Protected Child.

 

In October 2012, Achebe’s publishers, Penguin Books, released There Was a Country: A Personal History of Biafra. Publication immediately caused a stir and re-opened the discussion about the Nigerian Civil War. It would prove to be the last publication during his lifetime.

 

Fondly called the “father of African literature”, Achebe died after a short illness on 21 March 2013 in Boston, United States. An unidentified source close to the family said that he was ill for a while and had been hospitalised in the city. Penguin publishing director Simon Winder said: “…we are all desolate to hear of his death.” The New York Times described him in his obituary as “one of Africa’s most widely read novelists and one of the continent’s towering men of letters”. The BBC wrote that he was “revered throughout the world for his depiction of life in Africa”. He was laid to rest in his hometown in Ogidi, Anambra State.

 

 

Legacy

Achebe has been called “the father of modern African writing” and Africa’s greatest storyteller, and many books and essays have been written about his work over the past fifty years. In 1992 he became the first living writer to be represented in the Everyman’s Library collection published by Alfred A. Knopf. His 60th birthday was celebrated at the University of Nigeria by “an international Who’s Who in African Literature”. One observer noted: “Nothing like it had ever happened before in African literature anywhere on the continent.”

 

Achebe provided a “blueprint” for African writers of succeeding generations. In 1982, he was awarded an honorary degree from the University of Kent. At the ceremony, professor Robert Gibson said that the Nigerian writer “is now revered as Master by the younger generation of African writers and it is to him they regularly turn for counsel and inspiration.” Even outside of Africa, his impact resonates strongly in literary circles. Novelist Margaret Atwood called him “a magical writer – one of the greatest of the twentieth century”. Poet Maya Angelou lauded Things Fall Apart as a book wherein “all readers meet their brothers, sisters, parents and friends and themselves along Nigerian roads”. Nelson Mandela, recalling his time as a political prisoner, once referred to Achebe as a writer “in whose company the prison walls fell down”, and that his work Things Fall Apart inspired him to continue the struggle to end apartheid. Nobel laureate Toni Morrison has noted that Achebe’s work inspired her to become a writer and “sparked her love affair with African literature”.

 

Achebe was the recipient of over 30 honorary degrees from universities in England, Scotland, Canada, South Africa, Nigeria and the United States, including Dartmouth College, Harvard, and Brown University. He was awarded the Commonwealth Poetry Prize, an Honorary Fellowship of the American Academy of Arts and Letters (1982), a Foreign Honorary Member of the American Academy of Arts and Sciences (2002), the Nigerian National Order of Merit (Nigeria’s highest honour for academic work), the Peace Prize of the German Book Trade, the Man Booker International Prize 2007 and the 2010 Dorothy and Lillian Gish Prize. He was appointed Goodwill Ambassador to the United Nations Population Fund in 1999.

 

He twice refused the Nigerian honour Commander of the Federal Republic, in 2004 and 2011, saying:

 

“I have watched particularly the chaos in my own state of Anambra where a small clique of renegades, openly boasting its connections in high places, seems determined to turn my homeland into a bankrupt and lawless fiefdom. I am appalled by the brazenness of this clique and the silence, if not connivance, of the Presidency.”

 

Despite his scholarly achievements and the global importance of his work, Achebe never received a Nobel Prize, which some observers viewed as unjust. When Wole Soyinka was awarded the 1986 Nobel Prize in Literature, Achebe joined the rest of Nigeria in celebrating the first African ever to win the prize. He lauded Soyinka’s “stupendous display of energy and vitality”, and said he was “most eminently deserving of any prize”. In 1988 Achebe was asked by a reporter for Quality Weekly how he felt about never winning a Nobel Prize; he replied: “My position is that the Nobel Prize is important. But it is a European prize. It’s not an African prize … Literature is not a heavyweight championship. Nigerians may think, you know, this man has been knocked out. It’s nothing to do with that.”

Credit: Wikipedia

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  1. Hard work pays. Achebe was the recipient of over 30 honorary degrees from universities in England, Scotland, Canada, South Africa, Nigeria and the United States, including Dartmouth College, Harvard, and Brown University.

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